How to Use AI Replace in Promeo
Paint one object out of a product photo, describe what belongs there instead, and get a second version of the same shoot.
Updated Aug. 17, 2026 · 7 min read
In a hurry? Use the AI Replace quick guide instead.
Promeo's AI Replace changes one object in a product photo you already have: paint over what should go, then describe what belongs there instead. That matters when one shoot has to work twice, a plain version for the listing and a dressed-up one for the campaign, and a reshoot is not on the table.


- In Promeo, open the Product Design AI Tools tab and click the AI Replace card.
- Drag your product shot onto the drop area, or click one of the three sample photos.
- Set a brush Size, paint over the object you want gone, then click Next.
- Say what belongs there instead under Describe the image you want to generate, then click Generate.
- Pick one of the three results, click Done, and finish the design around it.
Steps to Use AI Replace
Step 1: Open AI Replace in Product Design AI Tools
On the Home screen, open the Product Design AI Tools tab and click the AI Replace card in the second row.
It opens on a screen of its own rather than inside a design, and that order is the point: you fix the photograph first and decide where it gets used afterwards.

Step 2: Bring In the Shot You Already Have
Click Drag your photo here, or click to import and choose your file. The three sample photos underneath are there if you would rather see how the tool behaves before putting your own work through it.
We took the middle sample, a desk scene with a lamp to the left of the laptop, because it has what most product photos have: a prop that made sense for one campaign and not for the next.

Step 3: Paint Over the Prop You Want Gone
This is the step that decides how clean the swap looks. The tool is Manual Brush: set a Size slightly wider than the edge you are tracing, then drag across the object until it is covered.
Go past the outline rather than stopping short of it. Anything left unpainted stays in the finished picture, and a sliver of the old prop is exactly what a customer spots first.

The painted area shows up as a solid red shape on the canvas, so you can check your coverage instead of guessing at it. Ours covers the whole lamp, handle included, along with the pool of light it was throwing onto the table. Once something is painted, Next becomes available and carries you through to the description.

Step 4: Write What Should Take Its Place
Promeo hands you a text box rather than a picker here. That is more useful than it sounds, because you are describing something that has to sit in light the photo already has.
Under Describe the image you want to generate, work in this order:
- the object
- its material and color
- the light and the shadow
Ours read: a stack of three hardcover books lying flat, muted cream and sage covers, soft warm diffused light, subtle contact shadow at the base.
The counter in the corner of the box caps you at 250 characters, so spend them on material, color and shadow rather than on adjectives about quality. Then click Generate.

Step 5: Pick the Version That Suits the Campaign
One run comes back with three versions rather than one, which is the part that quietly saves the reshoot: same photo, same mask, three takes on the same description.
Click a thumbnail to load it onto the canvas, then use Compare to hold it against the original before you commit. If none of the three works, Generate More runs your description again for another set. When one is right, click Done.

The result
The finished photo drops back onto the canvas as the Main Object layer. The lamp is gone, the books sit in the same warm light the left of the frame already had, and the laptop and the lily are exactly as they were shot, so the picture still matches the rest of the set it came from.
From here it is an ordinary Promeo design: add your headline and price on top, then Export when the campaign version is ready. The original photograph carries on doing its job on the listing page.

Haven't got Promeo yet? This is how one paid shoot becomes two, by restyling a single object rather than reshooting the frame.
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