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How to Use Masks in PowerDirector

Show part of a clip and hide the rest, with a line, a shape, or your own image.

Updated Aug. 29, 2026 · 4 min read

A mask decides which parts of a clip you can see and which parts are hidden, so whatever sits on the track underneath shows through the hidden half. That one idea covers split screens, letterbox bars, vignettes and shaped cut-outs, which is why the tool is worth learning once.

⚡ Quick Answer: How to Add a Mask
  1. Select the clip, click Edit, then open the Mask tab.
  2. Pick a mask: a line, a pair of lines, a shape, or your own image.
  3. Drag the handles in the preview to place it, and use Advanced for feathering and inverting.

Masks in PowerDirector

Prefer to watch? Here is the whole thing in under three minutes.

What a Mask Actually Does

The mask marks one region visible and everything else hidden. Nothing is deleted: the hidden part is still there, it is simply not drawn, so the track below shows through instead.

A heart-shaped mask over a photo of a couple in PowerDirector, with the inside of the heart labeled Visible and the area outside labeled Hidden.
Inside the shape is kept, outside is hidden.

Open the Mask Tab

Select the clip and click Edit, then open the Mask tab. The grid at the top is the whole menu: no mask, a custom image mask, the two line masks, and a row of ready-made shapes.

The Mask tab in PowerDirector showing a grid of mask types including line masks and preset shapes.
Every mask type lives in this one grid.

Linear Mask: Split the Frame

The Linear Mask cuts the frame with a single line, which is how you build a split screen. Everything on one side of the line is kept.

The Linear Mask icon highlighted in the mask grid in PowerDirector.
The first of the two line masks.

Drag the green circle at the middle of the line to rotate it. Hover over the line itself and, when the cursor becomes a crosshair, drag to move it. The fields underneath take typed values when you want the same angle on several clips.

Drag it
A diagonal linear mask across a sky clip in the PowerDirector preview window, splitting it into a bright half and a dark half.
The green handle rotates, the line itself moves.
Or type it
The position and rotation fields highlighted below the mask grid in PowerDirector.
Same result, repeatable across clips.

The white line is a guide, not part of the picture. The video is explicit that it shows only while you are placing the mask and does not appear during playback.

Soften the Edge, or Flip It

A hard edge between two clips announces itself. Click Advanced and raise Feather Radius to blend the join instead.

Why
A callout reading soften boundary over a masked sky clip in the PowerDirector preview.
The join is the giveaway.
Where
The Feather Radius slider highlighted in the Advanced Mask Editing window in PowerDirector.
Advanced Mask Editing, lower left.

Invert mask, below the same controls, swaps which side is kept. It saves rebuilding a mask you have already placed correctly but backwards.

The Advanced Mask Editing window in PowerDirector with the masked preview highlighted and the invert mask option below the controls.
Same line, opposite half.

Parallel Mask: Two Lines at Once

The Parallel Mask keeps a band between two lines. Hover the white dot on a line until the cursor becomes a double arrow, then drag to set how far apart they sit. The pair rotates and moves together.

The Parallel Mask selected in PowerDirector with two horizontal lines across a night driving shot in the preview window.
A band, rather than a half.

Two uses come up constantly: horizontal bands give a clip a cinematic letterbox, and a rotated band is the basis of a three-way split screen.

A rotated parallel mask across a night driving shot in the PowerDirector preview window.
Rotated, it becomes one stripe of a split screen.

Shape Masks

The rest of the grid is ready-made shapes: circle, heart, brush strokes and more. Pick one and it becomes the visible region, which the video gives as the quick route to a sticker or a shaped cut-out.

The grid
The row of preset shape masks in the PowerDirector mask grid, including circle, heart and brush shapes.
Preset shapes, no drawing required.
Applied
A heart-shaped mask applied to a photo of a couple in the PowerDirector preview window.
The shape becomes the visible area.

Use Your Own Image as the Mask

When no preset shape fits, supply your own. Click Create a custom mask from an image and drop the file into the Image Mask Tool.

The Image Mask Tool in PowerDirector reading click or drag an image here, over the clip that is about to be masked.
Any image can become the shape.

A PNG gives you a choice in the Create Mask dialog: Alpha channel of the image builds the mask from the transparent areas, while Gray level of the image builds it from the brighter areas. The dialog also notes that other image formats skip the choice and use gray levels directly, since they carry no transparency to read.

The Create Mask dialog in PowerDirector offering alpha channel of the image or gray level of the image, with a note about other image formats.
The choice only appears for a PNG.
A paw-shaped custom mask applied to a clip in the PowerDirector preview window.
The imported shape, now the visible area.

Remove a Mask

Select None, the first entry in the grid. The clip returns to full frame with nothing else disturbed.

The None option selected in the PowerDirector mask grid, with the clip shown unmasked in the preview window.
First in the grid, and the way back.

Haven't got PowerDirector yet? One idea, a lot of uses. Masks are behind more finished-looking effects than any other single tool.

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FAQs

No. It is a guide drawn while you position the mask, and the tutorial states that it does not appear during playback.
Click Advanced and raise Feather Radius. It blurs the mask edge so the two clips blend instead of meeting at a hard line. A small amount usually does it; too much and the boundary turns into a visible gradient of its own.
Because it is not a PNG. The Create Mask dialog only offers the choice for a file that carries transparency; for other formats PowerDirector uses the gray levels directly, building the mask from the brighter areas. The dialog says so in a note beside the options.